vineri, 19 aprilie 2013

Ziarul Metropolis: o colaborare cu iz cultural


Aprilie a sosit cu surprize frumoase. Printre ele s-a numărat şi întâlnirea cu ZiarulMetropolis, cotidianul cultural ce reuneşte articole despre teatru, filme, cărţi, muzică, artă, dar şi interviuri cu personalităţi marcante de la ora actuală.

Primul meu articol a fost o cronică de teatru pe care am scris-o la scurt timp după ce am văzut piesa la Caffé D’arthé. A fost o experienţă aparte, pentru că am văzut în premieră teatru “pe gaura cheii”:


A urmat o cronică după “Însemnările unui nebun” cu Marius Manole. Omul ăsta trebuie să fie printre cei mai dramatici şi profunzi actori din generaţia tânără!




Şi cum literatura şi scrisul sunt o parte din mine (uneori mă simt confortabil folosind un clişeu), de curând am consemnat un eveniment petrecut la “Joia linguriţelor”, avându-l ca protagonist pe scriitorul ceh Milan Kundera. Vă invit să-l citiţi aici:


                                                 Vor mai veni şi altele, desigur :)

Vă recomand cu încredere Ziarul Metropolis, pentru o frumoasă călătorie  virtuală  în universul cunoaşterii.   


marți, 9 aprilie 2013

Povestirea mea Ultimul Zbor tradusă în engleză


Povestea mea “Ultimul zbor” a apărut în nr. 7 al Revistei de suspans, tradusă în engleză de Dan Butuza. A fost o surpriză plăcută şi îi mulţumesc traducătorului! :) You can read the story below:


The Last Soaring


He felt like stifling. Every so often he glanced somehow disgusted at the stubby fingers of the man beside him. He pictured them soaked in sauce and oil at some gluttonous meal. All this time he was fretting more than ever, straining his mind in the hope of a late redemption. The man with the grey moustache wearing a blue uniform would be eating and laughing with his wife, while he–
”Move, you sonofabitch!” a voice came from behind.
It was a lanky guy with glasses and a wooden forehead crossed by a shadow darkening his whole face. They called him Pudding because he was the most frightened of them all, though he didn’t like to show it. He couldn’t stare into the eyes of the doomed. He would swirl his gaze up to the ceiling where it would get stuck in the cobwebs. When it was over, his gaze would come back down in his purple orbits honoring them with a bit of humanity. The other guy’s name was Stubs, well-known for his volcanic temper and racial prejudices. He has been employed there only two years ago, but you’d say he was born there from the dust on the floor, each box bestowed with a piece of his darken soul. They called them ‘boxes’ to alleviate the circumstances.

Every step hurt, stinging him. He knew he was coming to an end, to a „last journey”, as his grandfather – the great sage of the community – used to say. He loved his grandfather more than anything, an old man clad in buffalo skins who would ponder in the evenings on the riverbank and beckon the birds. He remembered a story he told before the ceremony of his elder brother. One day a child was born bearing a birthmark, not a good omen because it foresaw a tumultuous life, full of mishaps. Still, his destiny wasn’t to be deprived of majestic joys. He would help many people and get precious rewards. The moment he was born, an owl perched on a branch above his mother, in broad daylight, and uttered a strange sound, like a wail, then spread its wings and scattered a silvery dust on the baby’s cheek. They called him Owl Wings ever since. The great learners of the tribe read in the tree bark that the owl was his lucky charm animal that would protect him every step of the way. So it was when your mother was due. Remember, my boy, you’re not just anyone. You are meant to be a warrior like your father, The Great Raven. Now, his grandfather’s words echoed feebly in his mind, like a breeze over an empty nest.
“Can’t you see, he looks as if already toasted”, Stubs jeered and broke off sullenly seeing his partner’s unruffled soberness.
Pudding tensed his shoulders and sighed.
“You have absolutely no sense of humor”, the moustache man muttered, then started to hum: Today it smells like fry, today’s your lucky day…
Only the metal sound of the shoes click-clacking on the floor and the rattle of the chains cut through the stillness of the hallway. Owl Wings closed his eyes. He pictured a sweltering summer day. A humming caressed his ears. Walking towards a nearby creek, he felt the grass under his feet, but some burden thwarted him, so he just smelled the perfume of the flowers and marveled at the clouds scattered in the sky. Somebody called him from behind a cluster of trees. He could only discern a woman’s shape who beckoned him with her finger. Hadn’t he been pinned to that field, he’d have gone to her. Eventually, he knew who she was. She was Wild Rain, the only one who knew how to shoot an arrow better than every young her age. He was mesmerized by her finely-shaped thin lips and her tawny long hair that half-covered her cheeks like a shield so that her fearsome beauty shouldn’t chase away all her suitors. She was alive and young, waiting for him. Only him, in the secret place. He’d never known someone like her.
“Yo! What’re you chewing? Give me some.”
“It’s a mint. You don’t want it, it’s bad for your diet.”
“Don’t get cheeky, Pudding.”
“And you said I had no sense of humor. Hey, you redskin, move! Why’d you stop?”
Owl Wings jumped, then started to trudge wearily along the endless hallway.

*

It was mid-August when he met the American. His grandfather had just finished his prayer to the heavens. He spotted him while he was staring idly into the distance. First he was a dot, then a stain that sliced the horizon. He grew curious and headed that way with a spear in his hand. Then he saw him: a young man in his twenties, a paleface with tattered clothes. He’s been badly wounded in some ambush and barely managed to crawl up to their village. The man raised his head and, despite his fear, cried in his language: “Help!” He couldn’t understand a word in English, but this one he understood: a word wrenched off of an endless despair. He helped him get up and offered him his shoulder. In his family, there was always this silent war with “the white skins” which had troubled them for so long in the past, burned their villages, raped their women, and stole their dignity. While he was helping one of them, he thought with horror what would Chieftain Eagle Eye say, finding that the grandson of the much revered Black Wolf had saved the life of an enemy.
He had to lie. But what could he tell them? The American was shaking and every so often muttered something in a low voice. His walk grew harder and harder. “He limps like an sick dog”, Owl Wings thought. “I should let him die for all the evil his ancestors did to us”. But he couldn’t. Ever since childhood he’d been scolded for being gentle like a woman. He would look after the sick animals. He had this dream of acquiring their language.
His elder brothers came up to them, armed with bows and stones. He waved them to stop and lay the American in the grass that swayed gently into the evening breeze.  He knew by heart the words they exchanged into that sunset when his life was about to change forever:
”What have you done? Why did you bring the white devil on our land?”
“He’s just a man who needs help as I see it.”
“Let him die like the worm that he is!”
“Brother, I love you and honor you, but I’m the eldest and you’ll listen to me.”
“You may be the eldest, still our father has the final say. Beware, Owl Wings, this will be the beginning of your end.”
During the meeting of the Elders Council he sat beside the young American who was unconscious. When he touched his forehead, he felt it hot. That heat filled his bones, tying him mysteriously to that stranger. A trickle of blood fell from the lips of the dying man and dripped on his fingers. He was never aware of the sacred pact he signed in that blood ever since.
No one was on his side. He pleaded with Dark Wolf to treat him and promised that he will work harder instead of roaming the fields. He sobbed until the old man agreed to bring to life that man who slept between the worlds. In that crucial moments, the soul was traveling between life and death. And because they were sworn brothers, Eagle Eye gave him the blessing. The wounds were cleaned and rinsed with the water in which healing herbs had boiled. The bullet had missed his heart. Sharp objects had scratched his face and arms. After hours of struggle and prayers, the American opened his eyes. He put his hands together and, with shadowed eyes, thanked the women gathered around him.
He thanked him differently, though. He hugged him. Fell to his knees and kissed his feet. And that kiss sealed the bond between their souls. The gratitude he felt towards those who saved his life appeased the sages of the tribe. Richard began helping them, sharing with them the advantages of one who belonged to the civilized world. He learned them survival tricks and built them a stable for horses and cows. He fed the birds, cleaned the houses and joined the women’s chores, weaving baskets and taking care of the new-born babies, much to the amusement of the young girls who secretly mocked him. He never spoke of what had brought him on their lands and who had made him suffer so much. He only told them that some unrighteous men shot at him, then assailed him as punishment for something he hadn’t done. Nor did they ever ask or try to rummage through his past. Once accepted, you leave everything behind, just like a snake which sheds an old skin. No one needed drab clothes.
“Well, all white people are the same,” his brother muttered sometimes, “they even kill each other.” Tiger Lip always thought the American a potential threat, ready to go off just out of the blue.
Their friendship grew stronger with every word they learned from each other’s language. Richard first learned the names of the family members. He articulated them very carefully as if his lips were holding some frail fortune. To Owl Wings, English seemed like his second language that he learned with unusual ease.
“You were a white devil in some other life”, his mother – the most gentle woman in the tribe – teased him. She was fond of the American, too, even secretly in love with him. He took him in by their laws, arousing the jealousy of her sons and the displeasure of the chieftains. Sometimes, years later, he would take Richard’s side in arguments, praising him for his dissenting nature.
In spite of his humbleness towards the elders, Richard always felt a second heart beating inside him.  Together they pilfered fruits from the nearby tribes and ventured in mysterious places; they defied the ancestral laws and tamed the wild animals. It was no wonder they saw Richard in front of Panther Voice, the chieftain’s daughter, juggling with four oranges. They fell in love with each other before Eagle Eye could knit his eyebrows in anger. Twenty lashes that gouged his back couldn’t abate her love for him, either. Finally, the father agreed. But he fell sick after the wedding and requested to be replaced. Slanderous tongues said it was the curse of the white man brought upon by Richard’s blood. When Panther Voice gave birth to a dead child, black rumors fell over the community like a plague. One day, with a voice sprung from some other body that was forgotten in a far-away land, he said to him in sadness:
“Forgive me, but I can’t stay here any longer. I belong to some other place, I miss my own. I want to take you with me. Come, little brother, come with me in Boston.”
He tried to change his mind, but all his efforts were in vain. His sworn brother was ready to leave the land that sheltered him for seven years and the people to whose goodwill his life had gone depended on. The woman who became his wife begged him in tears to stay with the tribe for her sake. She scraped her knees in the soil of the hoof-trodden roads hoping that Richard would look back, impressed by her wounds. But the American kept his gaze ahead… And he followed him like a faithful horse, burying his origins in the mists of time.

The city shriveled his courage and his inocence. The sky-scrapers, the high heels, the purses, the noisy cars, the fast-foods… all these opened a huge void inside, draining him of his happiness. The first time he laid eyes on a skyscraper he thought it was a monster and threw himself over Richard to protect him from the ominous intents of the beast. But the American laughed at his naivety. A hearty laugh after many months of mourning. They both jot jobs at a bakery where Richard knew a plump man with a moustache. If Richard hadn’t convinced his father to take them in with him, they wouldn’t have been able to lead a decent life off their meager wages. They hadn’t spoken for seven years, but the old man needed the hands of another man to take care of his household. Rancor was a luxury he couldn’t afford.
There were nights he’d have given everything to turn back to his people, but knew the town ensnared him and wouldn’t let him go too soon. He steadily gave up his feathered hat and braids to the displeasure of the other employees at the bakery who were now left without their main source of laughter. He bought a pair of jeans and a jacket like the ones cowboys wore in the western movies. He took up smoking to impress the dyed-hair girls and he was baptized a new name: Phil. Wild Rain, the only woman he ever loved, was to become a ghostly presence like some blurred shadow behind a curtain.
His existence as a modern man grew over the next three years. Richard had changed. Their past frolics were over, so was the joyfulness of youth. Only a dying echo remained – a bee buzzing past the ear of a sleeping man. His brother kept searching for something, a part of him lost in the place he left a decade ago. He asked him many times who had hurt him, why he ended up in a tribe of native Amerindians, but his answer was always blunt:
“I told you I don’t want to talk about it, Phil. The story is too painful.”

*

One night, Richard received a strange phone call. He heard him from the living room:
“Who are you? How do you know? I’ll… no! It was ten years ago… You bastard, you won’t do it! Why… yes. There…I should have known it was you… Ok, I’ll meet you in front of the depot.”
Richard’s face had gone white. Hadn’t he known about the law of nature, Owl Wings would have thought his friend long dead.
“Who was that? What did he want?”
Richard searched for something in a drawer and got out without a word. Next day he was woken up by a rapping at his door. He swung the latch. Three policemen barged in, throwing him on the floor and searching him.  The questions started:
“Where were you last night between eight and ten o’clock?”
It was a nightmare, a misunderstanding.
“I was here with Richard Holmes’s father. He can back it up.”
“Oh, he speaks English!” jeered the policeman who pinned him.
“So you know nothing of your friend’s death. He was found shot in the head near the depot on Grey Street.”
It felt surreal. His gaze blurred, making the whole scene in front of him look like a bad dream. He fainted.
Later, he opened his eyes to a cold room where he was lying on a dirty bed, dressed in some kind of pijamas. There they came and took him for questioning.  The torture in those moments brought up memories he wasn’t even aware of. He was beaten, spit upon and humiliated. Suddenly, the fact that he didn’t belong there cast him to the side of humanity. But he didn’t judge them, didn’t even hate them. He couldn’t help thinking of the unrighteous fate that parted him from his sworn brother. That night when Richard had answered the phone had been the last time he’d seen him alive. They wouldn’t let him sing Haoa Thatthaa, nor wipe his blood as he once did. The American ran like a coward and died amongst his own, the “white skins”. This time the bullet ripped his flesh and nobody stitched it. All secrets were buried with him. He never understood why he didn’t share them, why their souls failed to coalesce and why Richard had chosen to die alone…

***
“They call it ‘the death row, you knew that?”
The Indian stopped. He was staring idly, unheeding.
“Do you think he’s afraid?”, Stubs asked, smirking.
“Who wouldn’t be, in his place?”
“Me. If I was him, I’d have gone through fire and hell, like a real man.”
Pudding smiled peacefully and put his hand on the back of the man with long black hair.
“Come on, let’s go.”
Owl Wings started to walk slowly, trudging his bare feet on the cold floor, cold like an arctic sea of death. Had I wore any shoes, I’d have been sorry to part with them.
All pain left him. He felt a numbing on top of his head.
How would it be like beyond? My grandpa told me it’s like when you wake up in the morning and you’re still clinging to the realm of dreams. You don’t know which reality you belong to. A silver cloud ensconces you and you’re a child again, not crawling, but floating. You’re again happy and carefree until a man in fox or wolf skin comes along and tells you what you did wrong in your past life. At the end of the lecture you’re brought in a waiting room that has a buffalo head painted over the entrance. You wait until a new life is given to you, as man or animal.
What if grandpa was wrong? What if it all ends here… here, at the end of the hallway?
*
They came in front of a bleak door, guarded by two limp goons. As if on cue, they spread apart, letting all three of them to enter into the dark insides of the room. They unchained him, then pushed him into the black chair. They tied his hands and covered his head with something like an octopus meant to suck up his pain. In front of him, a bunch of people separated by a brackish sheet threw him hateful arrows from bloody eyes. Among them he saw the old man Holmes. He shouted out some curse. Why were all against him? What harm has he done to them?
He sighed, blowing out the last candle placed at the head of his soul, lit by the shadow of his ancestors. He remembered the hot kiss of his mother caressing his forehead, and his fingers scrabbling through the sand. It was the day when he was promised the key to the kingdom of butterflies if he’d behave. He missed the plains reddened by the sunset, he missed his sorrel. He wanted to run, to lose his trace in a thick forest. He was thirsty… he wished he had drunk water from a pond. But there were no ponds there, only locked-up boxes.
All of a sudden, a breeze from nowhere tickled his nostrils. He felt the weight that pinned him down turning into a strange feeling as if a tree would sprout up from inside, stretching its branches through his arms. An astonishing pain shriveled his shoulders. He looked around, thinking that someone had pushed his fists down on him, but everyone sat now at a safe distance. A figure was getting ready to pull the switch. The weight intensified. He started shaking and his body fell on the floor. It was impossible, he knew it. Still, he wasn’t in the chair anymore. Something grew out of him, rising.

***

“Yo, are you nuts? Who am I working with? I’ll sack you, you jacklegs!”
Pudding kneaded his hands. His face was white and he looked visibly thinner.
“I knew you wouldn’t believe us, mister Warden.”
“You’re pulling my leg, lads. You let a prisoner escape right before his execution.”
“A-a-ask Stubs, sir, he was there too.”
The man in the uniform coughed nervously, then faltered:
“Yea, I was there… they was about to pull the lever, to start the machine. Then it happened. A blinding light flooded the room. When we came to, he was gone. We held the witnesses responsible, one of them might be hiding him. We even shoved some of them. You know me, I’m straight as an arrow. We searched until we got to his box. We opened it and… an owl flew off. It just stood there in the dark. It took off, just like that. Tony swore the bird whispered a name before getting out through the window: Robert or Richard… fancy that, the bird spoke!
Stubs burst into laughter. His baleful guffaws echoed along the hallway sounding like a dying man’s ballad.
 – Translated from the Romanian by Dan BUTUZA


joi, 4 aprilie 2013

Editura Herg Benet împlineşte 2,5 ani



Pe 31 martie, editura Herg Benet a sărbătorit doi ani şi jumătate de activitate în Club Panic! din Bucureşti. Ea a luat naştere în toamna anului 2010 şi a ţintit către promovarea scriitorilor tineri, aflaţi la debut, cu o scriitură originală şi îndrăzneaţă.

Pe scena simplă a unei săli intime s-au aşezat, pe rând, autorii, ţinând între degete lucrul cel mai de preţ al unui scriitor: opera lor. Pe hârtie sau în variantă electronică, cuvintele au căpătat glas în rostirea lui: Leonard Ancuţa, Iulian Tănase, Sorin Lucaci, Lorena Lupu, Beatrice Ognenovici, Stancu Stoian, G. Bogdan, Adrian Suciu, Marius Surleac, şi mulţi alţii.

     Spectatorii şi-au încântat auzul cu pasaje din volumele: “Iubirea e amintirea unui viol”,  “Abisex”, “Autoportret gol-puşcă”, “În burta grasă a peştelui de duminică”, “Dona Juana”, “Rock în Praga”, “Ani cu alcool şi sex”, “Two Rabbit”, “Teofil şi câinele de lemn”, „electric & more”, “Antume”, “Torrent”, “Mitologii amînate”, „Zeppelin Jack”, „Când eşti obosit vrei acasă”, „Cucamonga”, „legende urbane”, dar şi fragmente din cărţile aflate în pregătire.

       Cristina Nemerovschi, autoarea romanului “Sânge satanic”, a prezentat evenimentul, onorându-i pe autori cu câte o întrebare, cochetând cu teme dintre cele mai diverse, de la motivele pentru care citim în zilele noastre şi până la filosofii preferaţi. Nu au lipsit nici concursurile cu premii în cărţi şi alte surprize cu iz intelectual, care ne-au reamintit de frumuseţea de a citi şi de a crea.
  Invitaţii speciali au fost Oliviu Crâznic, Claudiu Komartin, Anca Mizumschi şi Felix Nicolau.

miercuri, 27 martie 2013

Azi am vorbit cu primăvara la telefon


 Zilele astea încrederea mea în primăvară a scăzut la zero... grade. Începusem deja să îmi deschid braţele, să o îmbrăţişez ca pe o veche prietenă care vine în vizită, dar domnişoara cu plete şi rochiţă scurtă mi-a răspuns apatic într-o convorbire telefonică:
http://www.creativeimplementations.com/plan-a-year-of-blog-posts/

“Eu mai întârzii un pic. Am vorbit cu soarele şi nici el n-are chef să strălucească pe cer ca fraierul deasupra unei lumi şi-aşa destul de triste. Ok, mi-am arătat doar silueta din spatele perdelei de nori, pentru că îmi place să mă las aşteptată. Sexi, nu? Vă mai las cu coana mare. E vulpe bătrână... Recunosc că o dată m-a mituit cu o rochie super drăguţă din fulgi de zăpadă să o las să mai stea până în aprilie. N-am vrut să-i cedez, dar era supeeeeerbă! Nu, nu s-a întâmplat asta şi acum. În fine, ca să fiu sinceră, m-a ameninţat, dar să nu mai spui nimănui. Cică în 2012 nu şi-a făcut de cap cum ar fi vrut, a fost prea blândă... prea puţin polei, ger şi viscol şi alte accesorii enervante de-ale ei. Iar acum vrea să-şi ia revanşa. Se dă şi ea divă. Dacă n-ar fi atât de rece şi autoritară, i-aş spune vreo două. În fine, ce mare brânză, lăsaţi-o să-şi mai facă şi ea mendrele vreo două-trei zile, până-i trece criza vârstei a treia. De fapt ce zic eu “a treia”,  a o suta. Toată ninsoarea asta e ca să atragă atenţia. E chiar patetică... Trebuie să închid, am impresia că m-a auzit vorbind cu tine. Am simţit un fior pe şira spinării, cred că mă viscoleşte pe la spate.”

Să fie astea motivele pentru care don'şoara primăvară întârzie să apară? Cert e că până decide să defileze pe covorul verde, sora ei mai mare o să-mi scoată peri albi, pe care o să-mi crească ţurţuri în formă de tristeţe polară. 

luni, 11 martie 2013

Marea iubire a lui Sebastian


Să fie mişcarea scenică o componentă de nedespărţit a teatrului? Protagoniştii piesei “Marea iubire a lui Sebastian” sunt de altă părere. Marius Manole, Rodica Mandache, Ioana Macaria şi Istvan Teglas ne prezintă un spectacol-lectură în care singurul nostru ghid în labirintul trecutului este vocea. Actorii stau pe câte un scaun şi îşi recită replicile cu textul în mâini, pe fondul unei linişti nostalgice.


Piesa urmăreşte povestea tumultoasă de dragoste dintre actriţa Leny Caler şi Mihail Sebastian. Textul reuneşte fragmente din “Jurnalul” scriitorului, mergând pe firul corespondenţei reale dintre actriţă şi dramaturg şi culminând cu dialoguri diafane din “Jocul de-a vacanţa”.


Leny îşi rememorează tinereţea cu un aer ludic în care plutesc şarmul şi cochetăria de altă dată. Deşi o cucereşte cu scrisul său, omul din spatele cuvintelor se dovedeşte a fi un băiat timid şi nu într-atât de atrăgător cum şi-l imaginase. Iubirea dintre cei doi este mai degrabă una platonică, un joc de lumini şi umbre în care fiecare îi găseşte metehne celuilalt. Sebastian suspină după înflăcărata Leny, însă în el clocoteşte veşnic gelozia, transpusă în replici acide. Superficialitatea şi inconstanţa femeii fatale îl fac pe tânărul scriitor să se răzbune prin cuvinte, în secret. Dialogul dintre îndrăgostiţi este în esenţă o reunire a două monologuri, ca într-un puzzle ale cărui piese nu se potrivesc niciodată.

Rodica Mandache, care semnează şi regia spectacolului, ne convinge prin lejeritatea jocului şi zâmbetul ştrengăresc. Personajul pe care îl îmbracă îi vine perfect, conferind autenticitate poveştii. Marius Manole creşte şi îmbătrâneşte pe scenă, trecând prin toate anotimpurile iubirii, cu o luciditate agonizantă.

Ioana Macaria şi Istvan Teglas le dau viaţă Corinei şi lui Ştefan, protagoniştii uneia dintre cele mai cunoscute opere a dramaturgului, “Jocul de-a vacanţa”. Corina stă în dreapta lui Leny, în timp ce Ştefan îşi mărturiseşte visele din stânga autorului său. Ei oglindesc astfel iubirea imposibilă dintre Leny şi Sebastian, dezvăluind sentimente neelucidate şi întrebări filosofice.
Pentru 84 de minute, suntem invitaţi să parcurgem lumile lui Sebastian şi să-l cunoaştem ca scriitor, dramaturg, memorialist şi nu în ultimul rând ca om. 


duminică, 10 martie 2013

Prima zi la UNATC


Sună cam frumos... Nu, n-am dat un examen de admitere şi nu sunt studentă a facultăţii, ci doar m-am înscris la un curs de scenaristică pentru scurt-metraje, la Şcoala de duminică din cadrul UNATC.

Astăzi am văzut prima dată cum arată interiorul celei mai prestigioase facultăţi de teatru şi film din Bucureşti. Mi s-a părut superb înăuntru, de la holurile proaspăt văruite şi până la mini-sala de film unde ne-am strâns în cele din urmă. La intrare, Caragiale m-a salutat în faţa liftului, murmurând ca pentru el: “ehe, vremuri grele, monşer”. Am preferat să nu-i răspund.
 Mergând pe coridoare, am privit prin ocheanul timpului: scene imortalizate din filme vechi româneşti, chipuri uitate de actori şi nume încrustate pe plăcuţe amintind de pasiuni stăvilite doar de trecerea în nefiinţă a celor care le-au purtat.
 Ne-a întâmpinat dl. regizor Doru Nițescu, care ne-a condus în sala unde visele devin realitate. Am învăţat primele noţiuni teoretice despre scrierea unui scenariu de scurt metraj. Privit din afară, nu pare complicat: am imaginaţie? Ce-mi mai trebuie? Însă există şi aici reguli de urmat, iar micile detalii pot face diferenţa. Şi există limite.
 După un mic exerciţiu de imaginaţie, am avut ocazia să urmărim două scurt-metraje pe marele  ecran din faţa noastră:

- primul, “clasic”, se numeşte Wedding Duet şi ne înfăţişează o poveste în aparenţă simplă, dar în miezul căreia palpită o dramă psihologică de proporţii. Un el şi o ea, proaspăt căsătoriţi, descoperă că a trece pragul cu mireasa în braţe este mai greu decât şi-ar fi închipuit vreodată…
Din păcate nu am găsit încă filmuleţul postat undeva, în marea de pixeli a internetului, însă va trebui să mă credeţi pe cuvânt că este bun!
- al doilea, “Calm Center”, prezintă crâmpeie din lumea depersonalizată în care îşi conduc activitatea angajaţii unui call center. Un adevăr trist care punctează contrastul dintre aparenţă şi esenţă.  Cei care au lucrat sau lucrează într-o astfel de companie se vor regăsi cu siguranţă în situaţiile ilustrate cu un realism cronic şi o ironie acidă:

Aştept cu nerăbdare celelalte şedinţe”. Nu voi mai da din casă prea multe lucruri, pentru că trebuie să le descopăr pe cont propriu, dar am simţit nevoia să consemnez acest eveniment ca făcând parte dintr-o mini-călătorie pe care o fac în direcţia unui vis. 

 Şcoala de dumină este o oportunitate foarte drăguţă pentru a ne (re)descoperi aspiraţiile în contextul exersării imaginaţiei şi a calităţilor artistice care, poate, zac în noi de mult timp, în aşteptarea unui imbold.

miercuri, 6 martie 2013

BALADA UNEI TEZE MICI (sau parodia unei zile)



Era una din acele zile când nici ceasul nu mai sună, nici soarele nu mai răsare, şi nici măcar apa nu se mai oboseşte să coboare din robinet, pentru că e sălcie şi suferă.  Şi eu eram unul dintre acei oameni pentru care timpul îşi luase un concediu prelungit, lăsând toată treaba pe mâna unui suplinitor ratat: apatia. Pământul se învârtea şi eu cu el, ca o bilă la ruletă. Urechile îmi ţiuiau ca un tren, iar creierul avea mici tresăriri de conştiinţă, aproape concretizate în gânduri. Mă mânca în palma dreaptă – o pişcătură de ţânţar anofel (ieri murisem de malarie, dar stadiul ăsta de inerţie mă plictisise, jurându-mi că altă dată n-am să mai fac tâmpenia asta). 

Îmi plimb ochii pe tavan vertical, orizontal şi paralelipipedic, doar-doar oi găsi o aripă de molie roz sau o membrană de liliac sau de ce nu chiar un ochi de păun. Dar ioc. Nimic. Un tavan alb ca o anemie. Punct şi de la capăt. Care capăt? Ăla de jos sau cel de sus? Tigri decoloraţi, maimuţe îmbrăcate cu sacou, fazani cu cap de cal, un claun fără trompetă… şase că vine vecinul, v-aţi-ascunselea cu câteva brioşe, sare şi piper. Adormeam din nou, îmi cădeau pleoapele greeeele, ca o cremă încinsă pe un aluat nedospit. Dar o chemare dintr-un univers îndepărtat şi necunoscut, o adiere poruncitoare, îmi lipeşte ditamai scatoalca şi mă trezesc.
Image source: http://www.gpawarenessfund.com

Ce naiba trebuia să fac? ma întreb, răscolind în buzunarele găurite ale minţii. Urmează un timp nedeterminat de ars gazul prin ungherele conştientului si subconştientului. Deodată, EVRICA! Îmi amintesc. Era luni şi aveam şcoală. Şi teză la fizică.

OFtez şi simt cum OFtica mă răscoleşte în toată fiinţa. Şi ce lung e drumul până la baie, şi ce împovărat de peripeţii, aproape că-l şi zăresc. Da, undeva e robinetul cu apă gheaţă (apa caldă e în grevă) şi tubul de pastă de dinţi rulat până la gât, căzut pe lângă peria de curăţat toaleta. 1,2,3…100,101. Gata, mă scol, ce mai tura-vura. 150, 151,… Mă scol. Pe spătarul taburetului zac hainele mele, mai sictirite ca niciodată. Deodată se răstoarnă, ale naibii haine! (îşi aduseseră minte că taburetul n-are spătar). Îmbrac un pulover blegit căruia îi aud suspinele de bătrânel obosit, şi o pereche de pantaloni care se încăpăţânează să intre (sau să iasă, nu-mi dau seama). Lăsasem televizorul deschis – de regulă uitam doar apa caldă sau uşa de la intrare deschise – şi un tip cu o gură ca un cioc bont si mustaţă în frunte borborosea nişte ştiri. Pătrund în umezeala băii şi-l las pe răţoi să vorbeasca. Jetul de apă ţârâie, se unduieşte ca să nu-mi dea voie să-l ating (n.a. e sălciu şi suferă), tuşeşte convulsiv, întrerupt din când în când de câte-un “TVA-u’ creşte”, “omorât de amantul gelos”, “porci împuţiţi”, ”citează premierul”, ”Becali… vile… Becali… Coelho”. “Băsescu” (4 sau 5 întreruperi/ jet). În fine, am senzaţia stranie că inima îmi bate. N-o mai întorsesem demult cu cheia şi mă sâcâiau bătăile ei insistente ca şi cum cine ştie ce motiv aş fi avut să trăiesc. Îmi storc reziduurile de lacrimi rămase de la ultima depresie de adolescentă neînţeleasă. Închid în sfârşit televizorul care îmi mulţumeste în genunchi pentru fărâma de amabilitate. Îmi fluier ghiozdanul care se ascunsese aseară pe nu ştiu unde; vine până la urmă, cu coada-ntre picioare şi cu manualul de latină încercând cu disperare să deschidă fermoarul în partea de sus. Ies pe uşa deja deschisă şi alunec lin pe scari până AFARĂ. Ca de obicei, plouă cu sulf şi şprei de gândaci.

Din mine se prelinge pe asfalt o silă imensă, până spre scurgerea de canal unde oricum nu mai are loc, din cauza depozitului prea mare de silă scursă din alţi trecători. Ajung în STAŢIE şi mă împiedic de-o babă. Lângă mine un rockăr şi o călugăriţă. Amândoi îmbrăcaţi în alb. Dau să mă uit la ceas, dar se topeşte. Nimic interesant. Nimic extravagant sau penibil. Ploaia de sulf se mai domoleşte. Începe să picure cu bancnote de 100.000. Apuc şi eu una pentru că îmi curge nasul. O limuzină calcă doi bătrâni şi o pereche de îndrăgostiţi. Cei din urmă se scoală şi merg mai departe, fredonând “Yesterday” de Beatles. Simt cum mă apucă din nou un vertijjj şi toate sunt o apă şi-un pământ, blocurile, indivizii, rockărul, călugăriţa, autobuzele, cerul, câini din panourile cu Ţiriac Leasing. Sunt o excrescenţă a propriei mele lehamite. Şi ce e mai rău e ca Ei mă obligă să dau TEZĂ.

Ce înseamnă o teză în plus sau în minus, doar nu e ca un picior sau o mână mai puţin? În fond, câţi nu s-au înecat accidental cu ciuperci otrăvite, cu monoxid de carbon şi alte grozăvenii, cine mai poate garanta pentru o oră de fizică? În autobuz sunt atat de compresată, încât atunci când ajung din nou AFARĂ nu mă deosebesc cu mult de un afiş şi cu greu îmi regăsesc forma iniţială; e nevoie să-mi scutur capul ca ideile pliate să se umfle la loc.

În sala de curs aceleaşi feţe inexpresive, încununate de un tremurici febril, aceleaşi crampe intelectuale si minţi aerate. UŞA de la clasă se deschide în slow-motion, lăsând loc unei fapturi vectoriale, cu uşoare inflexiuni scalare, care odată ajunsă la catedră aruncă în noi cu mici cornete de hârtie, conţinând subiectele pentru teză. Îl deschid pe al meu şi descopăr un scris minuscul. De fapt de-a dreptul minusculeţ.

-Nu înţeleg NIMIC, doamnă profesoară. Cum vreţi să rezolv ceva din aiurelile astea?
-Pentru întrebări mă cautaţi după ore, veni raspunsul maşinal al odioasei făpturi.

Una dintre feţele cufundate în foaia de teză iese la suprafaţă:
- La subiectul 2 nu se poate face că e greşită cerinţa. Nu-mi puteţi da alt subiect?
- Cine e mai deştept, Tudorache, Einstein sau o frunză de ficus în echilibru?
-Păi… Einstein.
-Atunci?

Faţa se scufundă resemnată în foaie. Eu TOT nu înţeleg ce trebuie să fac. Am gândurile puse pe bigudiuri. Cifrele minuscule se plictisesc şi părăsesc, rând pe rând, coala. O pereche de ochelari:

-Dacă am terminat, putem să dăm lucrarea?
-Bravo, Fizicescule, dă-mi teza să-ţi pun 10 cu plus. Să-i spui lui taică-tu să-mi aducă o rochie cu buline.

După cum ziceam, era una din acele zile. Ajungând ACASĂ, ceasul cu pendulă îşi râde de mine: iar ai făcut-o de oaie, fetiţo! Da’ ce-ai fi vrut, s-o fac de cămilă? îi întorc vorba cu nervii întinşi la maxim, făcând pe deşteapta. Îmi închei ziua cu o nemaipomenită simetrie: trântită în pat. Din sufragerie răzbat vorbele batjocoritoare ale ceasului cu pendulă: pune mâna şi dormi, mai e şi mâine o zi!


Povestirea a apărut în revista Egophobia.